Wednesday 7 November 2012

A Pampering Ride


It was after a tiresome day in office. It was the delivery date and somehow managed to squeeze the application through. Was longing to be at home. I always feel so, but without exception when the work load is too much. Call it my laziness or whatever else, but who won’t desire to fall into safe hands at such needy times? Though the level of desperation may vary.

Instead I fell into the front seat of my friend’s car. I was too tired to take my bike that day. I switched on the music system. The speakers blared off some heavy metal songs. I was feeling dizzy and navigated through the playlist to change the music. I was so happy to find a folder ‘Malayalam’ and played it. I wondered if the player is smart enough to sense my mood when it played ‘Olathumbathirunoonjalaadum chella painkili..’ from Pappayude Swantham Appoos.

I was falling through the tunnel of time to my Second Standard days. My father used to sing that song while bathing me. My mother had stopped bathing me as she was too busy in the kitchen to manage my giggling prone to tickling in the busy morning hours. He would sing the lines ‘..Ente bala-Gopalane enna theppikumbam padadi..’ repeatedly. Not that he singed extremely good, but I loved it very much because I thought he was singing for me. It made me feel very special and in the centre of the universe. He called me Gopalaa, so I deluded myself into believing that he made the lyrics for me. I was never tired of those same lines every morning. It never occurred to me that it could be a movie song even when I heard it in Anand-ettan’s auto rickshaw on my way to school. Its true that we see only what we want to see as we are blinded in love. But I did not know then that it was equally applicable o the sense of hearing as well. It was only when I saw it in Chithrageetham – a music programme in DD4-Malayalam Channel did it dawn on me that such a possibility exists. It was a shock not so mild and also a disenchantment not so grave. After this episode of edification, the song did drop a few places from my popularity chart before it soared back to the top in a week’s time.

I was feeling so light and soothed and pampered by the time it played the umpteenth time that night, still was missing home, even more this time. My friend was snarling at me and I was grinning, as broad as the Cheshire cat.
 

Thursday 23 August 2012

A Day at Work


Hands  stretched  out
to  snooze  the alarm  ,
with  a  fitted  pout
the  day  welcomes  lukewarm.

Knocking  at  the  bathroom  door ,
shouting  to  make  it  quick 
the  queue  stands  as boats  in  moor
shaking  the  legs  in  an  urgent  prick.

To  sleep  off  the  incomplete  dream  ,
the  bus  seat  is  conferred  as  a  bed ,
commuted  to  the  office  in  teem
as  cattle  to  the  slaughter  shed .

With  a  smiling  mask ,
giving  the  good  and  the  bad  the  same  ear ,
around  the  cubicles  moving  brisk  ,
without  a  wink  , to  the  target  all  gear.

Looking  at  the  juicy  sliced  white  melon  ,
the  slender  creeping  and  dancing  lightening  ,
the  vagrant  wind  dries  all  ,
only  hope  and  aspirations  remain 
like  the  salt  crystals  after  the sweat.

Fighting  for  the  pillow
as  blind  kitten  for  mother’s  milk  ,
lying  with  a  dribbling  mouth
its  time  again  for  the  hands  to  stretch  out.

Thursday 21 June 2012

The Silence of the Dogs



I have not slept well for the past one week. Late nights in office. Euro cup. The arrival of a new carrom board. Well, had to blame something. Then there are these street dogs. Their gang wars. Their standing guard of the territories. Their congress. The barks. The screeches. The yelps. The howls. I want a relief from these tossing, weary, torturing, long restless insomnious nights.

It was a full moon day. The street lamp outside was fluttering as always. Partly the voltage is to blame, partly the loose connection. I had an altogether bad day in office. Worser still, the team I had stakes on lost. I could not sleep well as the irritation was still itching. Itching hard. I could not bear when the ferals started all their notorious activities. I decided this must be it. I had to put an end to it.

Disclaimer 1: The narration below is has violent content. Pregnant women and those with weak hearts are advised not to peep in.

I plunged out of my bed. On my way down the stairs I picked a crow-bar and a knife from the kitchen. A sabre like. I smashed the door on my back and stepped in to the alley. A black dog came charging towards me. I withdrew the sabre from the scabbard and plunged into the chest of that crazy dog. It yapped and fell still with a thud. Thick red blood dripped from the sabre. Then a husky attacked fom my side. My remarkably quick blow was on target but the sabre penetrated so deep that I had to get hold of my crow-bar to protect myself from the approaching canines. There were four of them, snarling at me. I held the crow-bar horizontal to the ground, gripping with both my hands. They slowed down. Snarling still, they followed cautiously the semi circular path I was making, to make sure am not encircled from all sides. Am alone. They are many. At an opportune moment, I swung hard and real quick, the crow-bar at the stupendous four. I heard the skull cracking of the first one. The pointed edge slashed the throat of the second and sent the other two flying in the air. The two fell at a distance and was so injured that they could barely stand. I approached those yelping creatures with the war cry of the Yeehats. I got hold of one by its hind limbs and smashed against the lamp post. It was such a strong blow, the post was set vacillating. The flickering lamp went off. I could feel the frightened eyes of the one left staring at me. I grabbed him too by the hind limbs and banged him on the sharp and pointed edges of the gate. The head half of him tearing apart and falling on the other side of the gate. I threw the half left in mine to a distance. I gave out a rallying cry.
"Who wants a fight??"
"Anybody left??"
But to my dismay, I found packs of tens rushing towards me. I stood with my back against the lamp post. When they neared me, every sound died out in my horribly loud battle cry. The inevitable annihilation was carried out with ferocity and vehemence. I found myself surrounded by knee deep carcasses of the sons of bitches. The blood seemed more thick and dark in the moonlight. The blood smeared all over, I gave one final outcry.
"Who wants more??"
I could hear a pin drop. I raised my hands in vociferous eruption. I slammed my blood smeared hands against the post. A steady light started glowing. I could see the two piercing eyes staring at me from the posters in the walls behind. Those inquistive pair were of "Badi Memsaab's".

"Well, Clarice - have the dogs stopped screaming?", a calm, soporific yet impertinent stern voice asked me.
"Am not Clarice", I started scornfully without realising it was to Dr. Hannibal Lecter that I was talking. But when that fact dawned on me, I was about to reconciliate by answering to his question by a smiling 'Yes', but some yelps and barking stopped me from doing that.

I opened my eyes irritatingly to the howls. The street light was still flickering out in the alley.

Disclaimer 2: No animals were harmed during the complete course when the incidents unfolded. Any animal found dead in my locality should be strictly attributed to its insensible crossing of the roads.

Disclaimer 3: The dogs in the recounting are strictly fictional. Those resembling any living or dead are strictly coincidental.


Wednesday 18 April 2012

Prayer for a friend


Apr-18-2008. A very unfortunate and sad day for us. The day when all our prayers went unanswered. The day of demise of our beloved friend, Krishna Prasad. It was on a Vishu that unfortunate accident occurred taking a cheerful and brilliant soul with it.

When he was taken from Palana hospital to Jubilee Mission hospital, with just a bandage around his head, who would have known it was the last time to see him alive. Three days of waiting outside the hospital corridors hoping prayers would save him dimmed as our friend failed to wake from comatose.

The entire batch of 2004-08 of our college was unfortunate to witness six valuable lives succumb to death. In loving and fond memories of their souls :

Waiting outside praying,
instilling great hopes within,
he would turn up smiling,
poking fun at our wet eyes.
Dawn to dusk we sat
in those dilapidated benches,
watching him through the glass,
entangled in tubes and monitors around.
Prayers of parents,
nor ours,
could stop the doctors say,
‘Sorry , he is no more’.
How death entered?
breaching our mortal cordon
and hopeful eyes,
to steal his divine soul.
How could death,
comply our recusant friend,
to take to the cryptic world;
amidst us he had enough fun.
When he lay unmoved,
It  failed us conspiring,
stripping him off the surreal,
and pushing us into an ordeal.
The reek of death,
was spreading around;
in the bier - under the floral tributes,
he left us in destitute.
Draped in the shroud,
revealing only the visage;
who will rescue him from Its cage?
Pulling the hearse,
Never did anything more fierce,
smothering beneath the smouldering wreath,
only memories bequeath;
consigning him to the flames,
is there anyone we could blame?
The fainting cries,
and our helpless eyes,
could do nothing, but pray,
‘may You always be in peace’.


Thursday 22 March 2012

Randamoozham - The Second Turn


After completing the master piece novel 'Randamoozham' (means second turn) by M.T. Vasudevan Nair, my  thoughts were more in the lines as of  Dostoyevsky’s Raskolnikov. M.T, the historian-detective, scourges unseen and overlooked silences from the antediluvian pages of history and absorbs it with the magnifying lens of his sheer imaginative genius.

'Randamoozham' with its portrayal of the divine and superhuman casts as mere mortals and human is such a noteworthy and appreciated work that it is considered by many as the abridged version of the original.  After the epics of  ‘Vaishali’, ‘Oru Vadakkan Veeragatha’, ‘Perumthachan’, 'Parinayam' and ‘Pazhassi Raja’, every malayali is eagerly waiting for the release of the movie version of his magnum opus ‘Randamoozham’. The fact that Lalettan is back with the elite combination of M.T- Hariharan duo after a long gap of 25 years makes the wait worthwhile. Hopefully it will be better than 'Pazhassi Raja'. The portrayal of the title character in that movie, to me was pathetic. The lion of Kerala seemed to be pathetic and loosing courage and smelled of cowardice at some point. The solo heroic fights against an entire British troops were avoidable too. He would still be every bit of lion he was, by commanding tribal troops from the front.

It was not very long before that I had an argument with my friends during tea-time about the Bollywood movie ‘Ashoka’. It is neither an interpretation nor a work on the hidden / forgotten / corroded facts of history. It is creating history. A fantasy. A fantasy on real historic persons and incidents does not even qualify to fall in to the category 'fantasy'. Do we need to change our history? We are proud and blessed to have the best in the universe. I would have had no problem at all if the movie was not based on the great emperor Ashoka and had used other names.

But in whom should we vest the powers of rewriting history? To take the 'second-turn' to history? Not everyone! Though the right to free thinking is still for everyone. It has to be some one who can convincingly and modestly enhance upon the unforetold stories while the canvas is tightly pinned on the four sides with the available rigid framework. It has to be such a person can find his way to vantage point up the vertiginous climb. His work can be considered creative and earns tolerance on the merits of its artistic genuineness. Such a work that is passionately researched will be enlightening, it has to be  and has to come from an entrusted brain of high literary caliber.

Even if its my ingrained prejudice, as my friends ascribed to, that made me reason it like this or is it something else, I find myself in Raskolnikov's shoes right now. I am curious to know under which classification will I find Amish Tripathi's Shiva trilogy when I take it up this weekend.

(P.S., Raskolnikov’s theory goes as follows. All men are divided into two categories. 'Ordinary' and 'extraordinary'. While the 'extraordinary' man has the right to commit any crime and to transgress the law in any way, the 'ordinary' man has to live in submission and has no right to transgress the law)

Tuesday 20 March 2012

For Whom the Bell Tolls


If you ask me if it is the essay 'A Hanging' or the malayalam movie 'Sadayam' that gave me the nightmare, I will draw a blank. I chanced upon the Orwell essay while the imprints made by 'Sadayam' were still fresh. I am set to ring up the curtain on the nightmare. 

Protagonist        : Myself 
Location            : Death cell, Central Jail (It has to be the Poojappura Central jail. The watch tower and the cells there are so familiar to the Malayalees) 
Scene                   : The night before hanging 
Genre                  : Tragedy (Terrible) 
Running time    : One full wretched night 
Intervals            : 4 (the worst part) 

The camera zooms out to of my dilated, fear-filled and hopeless eyes, through the prison bars to incorporate my complete profile with both hands clenched to the iron rods. Slowly. Gradually. Now, don't ask me trivial questions like what crime did I commit to end up in that hell? Or was there thunder, lightening and torrential rains outside? What moon was it? I did not care to notice anything in the background. It was all immaterial.Just the big picture (Was doing it in an Ed Wood-ian style). I was to be hanged the next morning. All I could hear was the grandpa clock ticking and the footstep of the jailor who never came in front of the virtual camera. The fear, the helplessness, the loneliness, the shivers. How I wished I had not forgotten to offer the bed time prayers to Anjaneeyar Swamy! I don't know whether it was Maruthi's tail or the ever nearing foot steps of the jailor that woke me up, but I was happy to be awake. 

I felt it normal to feel the urge to micturate, partly from the dreadful nightmare and partly because it was well into the night. Things did not change even after that. I was unusually tired that day. The night mare extended itself as it was the continuation of the reel being played before the interval. Woke up again with a gaped mouth, confused if I sobbed or was it just in the dream. I decided to take a leak, partly due to fear, and partly to cut myself loose. This taking a whizz business continued even when I was left with no more penny to spend on. Now, back to the dream. In the condemned cell I was praying sincerely and with full submission, how sorry I was to squander this grandiloquent life; how I would have made the things right if... only if... I had a chance to make it simple and plain again; how much I missed my family; helpless of letting them know how much I loved them... All of a sudden I seemed to realize what I needed out of this life. I felt I understood myself well. I could feel the tears drying up in my cheeks at that instant. 

I slept well after that, though it was early morning. If you expected me to follow a sincere and pious life from all the 'awakening' I had, I am sorry to disappoint you. It was just the excitation I had from realizing and feeling what Sathyanathan of 'Sadayam' would have - on a first person account. Even that excitation attenuated after dialing a good friend of mine, who felt so much for that character and even inspired me to watch it over again. "Buddy! I feel I understand that character better than you now". It is time to ring the curtain down with this egoistic, nescient and incongruous close.



Monday 30 January 2012

Thampuran

It was two days after my grandfathers death. People were coming in large numbers to console our family, especially  my grandma. Thampuran was also coming to express his solidarity and sympathy in person. He is the heir of the estate  that my grandfather had looked after for a long time till his death.

When my mother called me, I was busy with some work in the backyard. She said I have to drop Thampuran at his  mansion in the estate. I had not seen him, so was curious to meet him. Although I did not expect him in a gaudy and  ornate king-like get up, I still could not help but project him as an aristocrat with slight aura around him. When  I went to the drawing room, he was waiting with an old briefcase in his hand, for me to take him to his mansion in  the estate. He was very lean and wore a pair of spectacles. I saw no aura around him, but was looking tired after  the long travel from Chennai. That's where his family resides now. Even his clothes were very simple and not of silk  as I had figured. My image of the Thampuran was shattered beyond recognition.

I took my uncle's bike to drop him. When I started he said to me "There was no need of this" and smiled. He knew  that I knew he just said it out of courtesy. My Thampuran would have made me feel that I was lucky enough to  accompany him. As was expected of me, I said "That's not a problem" with a fitted artificial smile.

The estate was hardly two kilometers from home. We crossed the canal and opened the iron gate. The grills had begun  to rust after the rainy season. Once in, Thampuran prayed with closed eyes in the direction of the Shiva temple. One could hardly see the temple through the coconut grove. Only construction that is visible in that direction is a well. Thickets and grasses had grown wildly and well into the path formed by daily use. It  was clear that after my grandfather fell sick nobody looked after the estate. We walked through the path, past the  granary across the ground and beside the old tractor shed to the mansion which stood facing the granary. All the  buildings were very old, not well maintained and dilapidated.

Last time I went there was to play in the ground with my cousins. It might well be around seven years now. The  Thampuran's family had huge land under paddy cultivation just behind the estate, by the side of the tractor shed. It  used to be very boisterous with the workers during the harvesting period. They thrash the stalk to remove the rice  from stalk in the platform raised from the ground by a few feet in front of the granary. My grandfather would be  supervising the work from the open verandah in front of the granary. The ground where we used to play had a lot of  bricks embedded in it making the surface uneven and unfit to play fairly. But there lies the challenge for a  sportsman. I have heard accounts from my mother about a palatial three storeyed granary - 'pathayappura' that stood  between the ground and the mango grove. It was demolished and the bricks embedded in the ground are the testimonial  of their golden era. My mother grew in our ancestral home which stood across the mango grove by the side of our  square ground.

I did not wait for him to open the mansion. I felt like an escort of a king, whose path always stops at the threshold of the kings room. Also, there was no much talking between us. He was tired, and I was unable to get rid of this queer  feeling of him being a king and mine as his escort. I just left with a nod from him.

It was getting dark. The number of persons coming to console the bereaved had subsided. It was silent all around.  The absence of grandfather had begun to be felt, and it was painful. My mother called me inside and handed over a  tiffin box to give Thampuran. When I reached his mansion, it was pitch dark and ghostly. The sound of the crickets  were echoing every where. After crossing the granary, I could see a 75 W incandescent lamp glowing inside the  mansion. I had never seen its door open. Its wooden doors always remained closed. I became curious to be inside.  From the threshold, I could see him lying with eyes closed in a cot which stood at the center of the room. The sound  of the creaking ceiling fan mulled the cries of the crickets. I felt the fan would fall on top of him at any moment. It  was wobbling but at a very slow speed, so slow that one can almost count the number of leaves in the fan. I ran my  eyes around the room. It was dim and yellow inside the room. Three other doors from the room in the other three  walls were closed. So were the windows. The cot was surrounded by a welter of farming goods, empty fertilizer sacks, ropes, spades,  cross bars, an almirah, clothes, and a hundial. My expectations were set back for the second time.

I knocked the door gently. He opened eyes and looked at me as if he was expecting me any time. He saw the tiffin box  and a bottle of drinking water in my hands. His face bloomed and he said "There was no need of these things. I would  have had it from some hotel" to which I replied "Its not a problem". Again i knew, we both knew that these were just  formalities exchanged. The silence was making me feel uncomfortable. I said "The hotels are very far. You will have  to go the junction", just to make myself feel better. But this did not seem to reach his ears. He was looking at the  tiffin box.
"What is in it?", he asked curiously.
"Idlies, five of them", I replied.
"That's too much for me", he said.
Again silence crept between us.
"Have u bought tea??", he inquired.
"Oh!! No", I said apologetically.
He smiled. I felt sorry for him.
"Can u tell your uncle to come by tomorrow morning??", he asked me.
"Sure"
I said good night and left him on his own.

In the morning, I came with breakfast for him very early so that he would not have left for the hotels near the  junction. When i reached he was standing there with the floral prasadam and sandal paste in a plantain leaf, from  the Shiva temple inside the estate. He was in the traditional kasavu mundu and had a kasavu towel draped over his  shoulders. He was looking pleasant and very noble. He was talking with a servant of the estate, who had come to see  him. He was looking at the amla tree that stood by the tractor shed. It had become very old. Its leaves, rotten and  ripe fruits and broken twigs were strewn all over the ground. I felt it would fall to the ground with a gentle push.

When he saw me with food for him in his hands, he said "Oh! You did not have to bother about that". This time what  he said was genuine and he meant that. But after a little persuasion he accepted it and thanked me. Extending the  prasadam to me, he said "I went to temple". I refused it politely as I was not supposed to have those within fifteen  days of my grandfather's demise. He then asked "Will your uncle come today??"
"Yes"
"Will u ask him to bring the keys of the hundial?? It was with your grandpa"
"Okay"
He then started asking me the routine questions, what I did, where I stay and all that usual formal stuff. He said he lived in a small flat with his wife in Chennai. He then went to the  pond behind the mansion, to wash his legs. The steps to the pond was in a very poor condition. Weeds, algae and the  mango trees that stooped over the pond on two side made the water green. It was remorsefully quiet. Nobody uses this pond now. My mother has  told me that she and her cousins and everybody from the home used to swim in the pond. It was where they learned  swimming. It was where I tried to learn swimming when all had gathered in our ancestral home for the wedding of my  mother's cousin. Everybody were jumping into the pond from the wall which divided the steps to the pond. Water was  splashing all over. There was so much laughter and fun. By the time I learned to be afloat it was time I returned home for final  examination. My swimming lessons stopped there. The next time I went to the pond was to fish. We got  a pretty good catch, but as they don't cook non vegetarian in my ancestral home, it was all given to the maid.  We kids were so disappointed.

He asked me to wait, so that I can carry back the vessels after his breakfast. He offered me a share of his food,  but I declined it very politely. The paddy fields which were once Thampuran's could be seen through the thickets  forming the compound wall on the side of the pond. I stood by him while he finished his breakfast and washed them in  the pond. After a brief friendly talk when I was starting to leave, he reminded me to bring the key for the hundial.

I returned after some time with my uncle. Thampuran was sitting in the chair behind the desk where my grandfather  used to sit, doing some calculations. When he saw us, he asked us to take a seat. But only one more chair was left,  so I sat by the steps. Grasses had grown from the cracks in the steps. I was plucking the tiny white and yellow flowers  of those weeds while they talked. My uncle handed him the key for the hundial.


"Sasi, before u came I was looking at the record book. It says from the past hundred and two years, the properties  of my ancestors had been looked after and maintained by your ancestors. I don't want to break this tradition. I  request you to take the responsibility your father had faithfully and sincerely carried out for the past few  decades". Though my uncle was reluctant at first to take over the estate, as he had a job in town, he finally  reconciled to Thampuran's wish. Thampuran was very happy. Both stood up from their chairs and Thampuran gave my  uncle the key to the granary, not before praying to lord Shiva.

Thampuran started walking in the verandah and then in the ground expounding his plans to renovate his deteriorated  estate. My uncle and myself followed him where ever he led us, nodding for almost what ever he said. Thampuran's face  could not hide the overflowing happiness. He was slipping to the glorious past which seemed to usurp the penurious present.


"The compound walls have cracks. We need to repair those. How many loads of cement and bricks do u think we would need?",  Thampuran asked excitedly.
"Why can't we lend the temple pond for fishing??"
The temple pond was much more bigger than the pond inside the estate. The public had access to it. Given the size of the pond at least three watchmen should be employed to keep the robbers and miscreants away making it very expensive to start aqua farming in that pond.
"Won't we get a good collection from the hundial once we put it in front of the temple?"
The hundial was removed from the temple because the coin slot was on top and the rain water would enter inside. When  my uncle reminded this to him he said
"Ah! you are right. I remember now", he started thinking and suddenly said "We should cover the hundial with a  plastic sheet above". He seemed satisfied with himself for finding a solution to the problem. The temple, which  is a very old one is believed to have come under attack from the Tipu Sultan's army when they came to Kerala. The  scripts carved in the temple stones were found to be very old and came in news paper once. I was in school then, and  I remember showing that picture to my friends and teachers. As its very far from the main road and no proper roads, in fact the canal and the narrow culvert on its way makes it impossible to build a wide road even if we want to, the temple is only frequented by very poor people and the workers living in the huts near by.
"The bricks embedded in the ground should be taken out and the ground should be made even"
"A new machine has come in the market. With that u can clear the thickets on your own without much difficulty". This  was the solution he found when my uncle complained about the labor problem that had hit not only the region, or the  state, but the country. Because of the daily wage program that the government has started, the Mahatma Gandhi  National Rural Employment Guarantee Act (MGNREGA), the workers are assured one hundred and fifty rupees per day  with minimum work. So working class was turning out for other works. This had a bad impact on the farmers.

And so went this flow of fabulous ideas for some more time. Thampuran's face was glowing. His head was held high,  chin up, and looking at his mansion and estate with great pride. I felt he was seeing a dream, where all was back to  the past, when they were the lords of the land, and prosperity and abundance was what he could see all around. But  now, there was a scarcity for fund, to renovate as he said. The trees were very old to give a good produce as they  once did. I feel Thampuran was trying to escape the reality that he was struggling hard not to sell this land and  property where his ancestors lived and died - the land where his roots really are.

He had packed his brief case by then. We insisted that we will drop him till the junction. But he continued walking  aiming for the bus stop in the junction.
I asked my uncle "Will his plans work?".
He replied "Its his dream"
We waited there by the canal and watched his petite body disappear around the curve in the meandering road.